On the morning of Jan. 17, Ashley Cierri along with her music department peers, received an email in her inbox with a subject line simply stating “Some News.” The email came from Susan Adams, the senior...
Phoebe Mulry, Contributing Writer
• December 8, 2022
Local artist Ryan Farinas looks for mainstream success in his new project “Tie Die Tape.” The album, released on November 11, is Farinas’s first, which he has been working on for years.
“I...
By 7 p.m. on Thursday Dec. 9, the Granite State Room (GSR) at the University of New Hampshire (UNH) was filled to a capacity of a little over 400 people, some waiting to see live music for the first time since the start of the Covid-19 pandemic.
I’ll say it now, “Razia’s Shadow” was criminally underrated when it was first released and its fade into obscurity was unjust. Like clockwork, this album from 2008 finds itself back on my playlists in time for October, despite it neither being creepy nor spooky.
While we were baking banana bread, learning tik tok dances (cringe), and tie-dying sweatshirts in quarantine, Taylor Swift was writing the best album of her entire career. The best part? No one had any idea.
Fate, kismet, destiny. It’s got a smorgasbord of different names, but countless people seem to believe in it; this idea that everything happens for a reason.
Ah, the 1980s…the decade where vivid neon and perky pastels unrooted equable and banal Earth tones; where large, cumbersome vinyl records crackled with envy at the growing portability of compact...
HOLD UP AND ANALYZE these wild raps bring back those rich, gritty, lyrical bars that represent what is now a scarce style of hip-hop. Raekwon the Chef and Ghostface Killah of the Wu Tang Clan emulate that style of rap.
This isn’t an album review. Personally, it feels wrong to review a posthumous album, given that its release is more so a tribute to that person’s life and passion for music than an artistic statement searching for critique.
